New Directors/New Films 2024
Tickets
Film at Lincoln Center and The Museum of Modern Art announce the 53rd edition of New Directors/New Films (ND/NF), taking place from April 3 through April 14, 2024. For more than half a century, the festival has celebrated filmmakers who speak to the present and anticipate the future of cinema, and whose bold work pushes the envelope in unexpected, striking ways. This year’s selection will introduce 25 features and 10 shorts, including one world premiere, 14 North American premieres, four U.S. premieres, and 16 New York premieres.
See more and save with a 6-Film Package for $99! Discount automatically applied when adding 6 GP tickets to cart (excludes Opening and Closing films). Save more by becoming an FLC or MoMA member.
Dan Sullivan, Programmer, Film at Lincoln Center, and 2024 ND/NF Co-Chair says, “It just feels right for us to bookend this year’s edition of ND/NF with two exciting new features by local filmmakers, as a reminder of what ND/NF has always been about: early encounters between the most cutting-edge emerging artists in international cinema and the New York audience who will be engaging with their work for years to come. Aaron Schimberg’s A Different Man is a delirious, complex, and hilarious work that evokes the best black comedies produced on the streets and inside the apartments of New York City in the 1960s and ’70s (with a healthy dash of body horror and metanarrative). Likewise, Theda Hammel’s similarly funny and spellbindingly chaotic Stress Positions conjures the irreverence and messiness of that era’s cinematic underground but in an utterly contemporary and accessible vernacular, yielding a comic and incisive picture of trans and queer life in the city.”
La Frances Hui, Curator, Department of Film, MoMA, and 2024 ND/NF Co-chair observes, “This year’s ND/NF lineup is a splendid exhibition of adventure, courage, and ambition. The latest class of new directors finds imaginative use of the film language to craft works that celebrate joy and love, while also reflecting on pain, conflict, and our shared humanity. Their creativity embodies profound insight and inspiration, reaffirming cinema’s relevance and essential place in contemporary expression.”
The New Directors/New Films selection committee is made up of members from both presenting organizations. The 2024 feature committee comprises Dan Sullivan (Co-chair, FLC), Tyler Wilson (FLC), Maddie Whittle (FLC), La Frances Hui (Co-Chair, MoMA), Rajendra Roy (MoMA), and Josh Siegel (MoMA), and the shorts were programmed by Katie Zwick (FLC) and Francisco Valente (MoMA).
New Directors/New Films is presented by Film at Lincoln Center and The Museum of Modern Art.
Film at Lincoln Center funding for New Directors/New Films is provided in part by FLC’s New Wave Membership Program, the National Endowment for the Arts, and the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature. American Airlines is the official airline of FLC.
Film at MoMA is made possible by CHANEL. Additional support is provided by the Annual Film Fund. Leadership support for the Annual Film Fund is provided by Debra and Leon D. Black, with major contributions from the Triad Foundation, Inc., The Contemporary Arts Council of The Museum of Modern Art, Jo Carole and Ronald S. Lauder, the Association of Independent Commercial Producers (AICP), The Young Patrons Council of The Museum of Modern Art, and by Karen and Gary Winnick.
Travel support provided by German Films; Unifrance; Villa Albertine; Taipei Cultural Center in New York, Ministry of Culture, ROC (Taiwan); and Institute of Cinematography and Audiovisual Arts (ICAA), Ministry of Culture of the Spanish Government.
Have a question? Contact FLC at [email protected] and MoMA at [email protected].
New Directors/New Films 2024
See more and save with a 6-Film Package for $99; discount automatically applied when adding tickets to cart (excludes Opening Night selection A Different Man and Closing Night selection Stress Positions).
A Different Man
Opening Night | New York Premiere | Q&A with Aaron Schimberg and Sebastian Stan on April 3 & 4
Sebastian Stan delivers an ingeniously embodied performance as Edward, an aspiring actor with severe facial disfigurement who jumps at the chance for a new lease on life. Aaron Schimberg’s hotly anticipated third feature is a social satire that wrangles thorny questions of identity and authenticity with slyly virtuosic storytelling flair.Stress Positions
Closing Night | New York Premiere | Q&A with Theda Hammel, John Early & Faheem Ali on April 13 & 14
The bewilderment of the early days of COVID is given a manic queer twist in Theda Hammel’s propulsive, brilliantly discombobulating comedy set in Brooklyn in the summer of 2020, evoking the hapless rules of engagement in the ever-shifting borders of queer politics.All, or Nothing at All
North American Premiere | Q&A with Jiajun “Oscar” Zhang on April 11 & 12
The innovatively conceived and constructed feature debut from Chinese filmmaker Jiajun “Oscar” Zhang takes place entirely within the overwhelming, majestically artificial confines of the vertical “Global Harbor” shopping mall in Shanghai, where pairs of strangers nurse or run from romantic crushes on each other.Blackbird Blackbird Blackberry
New York Premiere
Writer-director Elene Naveriani’s third feature tells the funny, tender, and erotic story of 48-year-old Etero (Eka Chavleishvili), an unmarried shopkeeper in a Georgian village who is mocked as a spinster by her gossipy friends even as she secretly carries on a torrid affair with a married man.Blaga’s Lessons
New York Premiere
Widowed 70-year-old schoolteacher Blaga (a brilliant Eli Skorcheva) falls prey to a frightening telephone scam, setting off a chain of events in a tautly conceived thriller that skillfully captures the feeling of a bleak post-Communist society beset by corruption.Cu Li Never Cries
North American Premiere
Personal and political histories are ever-present in this tender yet commanding feature debut by Pham Ngoc Lân, in which Mrs. Nguyên (Minh Châu) returns to her Vietnamese hometown to spread the ashes of her estranged husband and reconnect with her niece, Vân (Hà Phuong), resentful of her aunt’s absence.The Day I Met You
New York Premiere | Q&A with André Novais Oliveira on April 6 & 7
This micro portrait of two individuals finding comfort in each other’s company follows Zeca (Renato Novaes), whose job, body, and mind have all gone out of whack, and Louisa (Grace Passô), his colleague at a local school, as the pair spend a few impromptu hours together outside of work.Dreaming & Dying
North American Premiere | Q&A with Nelson Yeo on April 11 & 12
At midlife, three high school friends appear in a peculiar love triangle, unclear if they are grappling with unresolved desires from the past or repressed yearnings of the present in Singaporean director Nelson Yeo’s debut feature.Exhibiting Forgiveness
New York Premiere | Q&A with Titus Kaphar and André Holland on April 5 & 6
One of the contemporary art world’s most important painters, Titus Kaphar brings the same sense of profoundly felt dynamism to his startlingly accomplished cinematic debut, Exhibiting Forgiveness, a wrenching work of emotional depth and visual flair starring the magnificent André Holland as a painter wrestling with the scars of his childhood after his father’s sudden return.Explanation for Everything
New York Premiere | Q&A with Gábor Reisz on April 5 & 6
A minor confrontation between a high school senior and a teacher during the student’s final exams becomes a talking point in an escalating generational and political conflict in Gábor Reisz’s gripping drama about the anxieties of living in a contemporary world beset by political side-taking.Foremost by Night
New York Premiere | Q&A with Víctor Iriarte April 6 & 8
Spanish artist and curator Víctor Iriarte’s debut feature unfolds across four epistolary chapters, following middle-aged Vera (Lola Dueñas) as she emerges from a years-long search for the biological son whom she gave up for adoption at birth.Good One
Ends Thursday!
A seemingly small incident has monumental implications in the extraordinary feature debut of India Donaldson, in which high school senior Sam (a revelatory Lily Collias) joins her father (James Le Gros) and his longtime buddy (Danny McCarthy) on a tense weekend camping trip in the Catskills.A Good Place
North American Premiere | Q&A with Katharina Huber on April 4 & 7
Two young women, Güte (Clara Schwinning) and Margarita (Céline De Gennaro), eke out a living in a remote, sparsely inhabited farming village as radio broadcasts describe an unfolding global crisis—and count down to the launch of a spacecraft that might save humanity—in Katharina Huber’s feature filmmaking debut.Grace
U.S. Premiere
A father and daughter duo traverse the backroads of rural Russia in a rusted, rambling van in Ilya Povolotsky’s debut fiction feature. Clandestine DVD sales, fleeting sexual encounters, and checkpoint-avoiding detours signal the outlaw lifestyle these two share as they slowly, inevitably drift apart.Hesitation Wound
New York Premiere | Q&A with Selman Nacar on April 4 & 5
The unwelcome intrusion of law and society in affairs of the heart is a story grippingly told in writer-director Selman Nacar’s sophomore feature, following 24 stressful hours in the life of a Turkish criminal lawyer torn between her allegiances to her murder-suspect client, her convalescent mother, and the judge, a man of questionable principles.Intercepted
North American Premiere | Q&A with Oksana Karpovych on April 12 & 14
Ukrainian-Canadian documentarian Oksana Karpovych charts a photojournalistic course across Ukraine in the wake of Russia’s full-scale invasion, pairing fragments of intercepted conversations between Russian soldiers and their families back home with observational footage capturing the unsettled aftermath of occupation.A Journey in Spring
North American Premiere | Q&A with Wang Ping-Wen and Peng Tzu-Hui April 13 & 14
In a home perched high in the wooded hills outside Taipei, aging married couple Khim-Hok (Jason King) and Siu-Tuan (Yang Kuei-Mei) bicker, gripe, and commiserate, inhabiting the familiar rhythms of a well-trod daily routine—until a sudden death throws their world into a state of muted disarray.Lost Country
New York Premiere | Q&A with Vladimir Perišić on April 11 & 12
In Serbian filmmaker Vladimir Perišić’s compelling coming-of-age story, 15-year-old Stefan (Jovan Ginić), a teenager in mid-’90s Serbia, has begun to notice a harrowing chasm opening between the way he idealizes his mother (Jasna Đuričić) and how many of his fellow classmates and citizens have begun to see her in her role as the public spokesperson for president Slobodan Milošević.Malu
New York Premiere | Q&A with Pedro Freire on April 11 & 13
A blistering performance by Yara de Novaes, volatile and poignant all at once, is the magnetic centerpiece of Brazilian filmmaker Pedro Freire’s passionate and intensely moving feature debut about a free-spirited actress constantly at odds with the world and herself.Meezan
U.S. Premiere | Q&A with Shahab Mihandoust on April 13 & 14
Filmmaker Shahab Mihandoust’s portrait of the fishing industry in Iran’s Khuzestan province—home to Abadan, the first oil company-town in the Middle East and a site of mass destruction and migration during the Iran-Iraq War—is at once an immersive process film about labor and a rich, sensorial account of a former combat zone reorganized by decades of industrialization.Of Living Without Illusion
North American Premiere | Q&A with Katharina Lüdin on April 7 & 8
Merit navigates a rapidly deteriorating relationship with her girlfriend Eva while rehearsing a play with her ex-husband in Katharina Lüdin’s penetrating feature debut, which interrogates love and art with a singular expressiveness, embodying the mercurial nature of romantic relationships in all their contradictory facets—hope and despair, joy and cruelty.Omen
New York Premiere | Q&A with Baloji on April 5 & 6
When Koffi (Marc Zinga) and his white Belgian fiancée Alice (Lucie Debay) embark on a family reconciliation trip to the Democratic Republic of Congo, the kinetic chaos of their return voyage sets the stage for a visceral reimmersion tale.Otro Sol
North American Premiere | Q&A with Francisco Rodríguez Teare on April 7 & 8
In Francisco Rodríguez Teare’s form-defying feature debut, the maybe-true tale of thief Alberto Candia, who stole priceless ancient artifacts from a cathedral in Cádiz, Spain, provides the unstable center of an absorbing inquiry into mythmaking.The Permanent Picture
North American Premiere | Q&A with Laura Ferrés on April 9 & 10
Catalan writer-director Laura Ferrés’s alternately tender, clever, and mysterious debut feature mixes realism with melodrama in the story of a fiftysomething casting director who unwittingly befriends the woman who gave birth to and abandoned her as a teenager.The Rim
U.S. Premiere | Q&A with Alberto Gracia on April 6 & 7
Told in elliptical fashion and moving to a surreal rhythm all its own, director Alberto Gracia’s grimy and dazzlingly dissonant vision takes place in the port city of Ferrol, where Damian, unkempt and barely scraping by, becomes the inexplicable victim of mistaken identity.ND/NF 2024 Shorts Program I
Q&A with Shuli Huang and Inês Teixeira on April 6 & 7
This program of short films features Rachel Gutgarts’s Via Dolorosa (France), Shuli Huang’s Goodbye First Love (U.S.), Inês Teixeira’s Shimmering Bodies (Portugal), Aliha Thalien’s Nos Îles (France), and Fatima Kaci’s The Voice of Others (France).ND/NF 2024 Shorts Program II
Q&A with Cameron Worden and Lou Fauroux on April 8 & 10
This program of short films features Lei Lei's Break no. 1 & Break no. 2, Juliana Zuluaga Montoya's The night of the minotaur, Sebastian Molina Ruiz's Kill ’Em All, Lou Fauroux's The Porn Selector, and Cameron Worden's Digital Devil Saga.Tickets are now on sale! Tickets are $18 for the general public; $15 for students, seniors (62+), and persons with disabilities; and $13 for FLC and MoMA members.
Tickets for Opening Night selection A Different Man are $25 for the general public; $22 for students, seniors (62+), and persons with disabilities; and $20 for FLC and MoMA members.
See more and save with a 6-Film Package for $99! Discount automatically applied when adding 6 GP tickets to cart (excludes Opening and Closing films). Single tickets beyond the 6-Film Package must be purchased in a separate transaction.
Standby policy: If a screening is standby only, on the day of the screening or event, a standby line will form at the corresponding venue’s box office prior to showtime. Tickets may become available to the standby line on a first-come, first-served basis one (1) per customer.
Sold out! Complete your ND/NF experience with a VIP Pass! $400 for the general public and $350 for MoMA and FLC Members. Includes two tickets to every film and two tickets to Opening Night and the Opening Night Party. Limited quantities. Passes are available to pick up at the box office and will grant access to two (2) for every screening in the festival. We recommend arriving at least 15 minutes prior to a screening as late seating cannot be guaranteed.
Have a question? Contact FLC at [email protected] and MoMA at [email protected].
Tickets
New Directors/New Films 2023
The Museum of Modern Art and Film at Lincoln Center announce the 52nd edition of New Directors/New Films (ND/NF), taking place from March 29 through April 9, 2023. For more than half a century, the festival has celebrated filmmakers who… Read More
New Directors/New Films 2022
Film at Lincoln Center and The Museum of Modern Art present the 51st edition of New Directors/New Films (ND/NF), April 20–May 1. Read More
New Directors/New Films 2021
Celebrating its 50th edition in 2021, the New Directors/New Films festival introduces New York audiences to the work of emerging filmmakers from around the world. Read More
New Directors/New Films 2020
Celebrating its 49th edition in 2020, the New Directors/New Films festival introduces New York audiences to the work of emerging filmmakers from around the world. Read More
New Directors/New Films 2019
Celebrating its 48th edition in 2019, the New Directors/New Films festival introduces New York audiences to the work of emerging filmmakers from around the world. Read More
New Directors/New Films 2018
Celebrating its 47th edition in 2018, the New Directors/New Films festival introduces New York audiences to the work of emerging filmmakers from around the world. Read More
New Directors/New Films 2017
Celebrating its 46th edition in 2017, the New Directors/New Films festival introduces New York audiences to the work of emerging filmmakers from around the world. Read More
New Directors/New Films 2016
Celebrating its 45th edition in 2016, New Directors/New Films introduces New York audiences to the work of emerging filmmakers from around the world. Read More
New Directors/New Films 2015
Now in its 44th year, New Directors/New Films remains guided by the spirit of discovery. At a time of new digital frontiers of film production and distribution, this year’s lineup shows artistic innovation more than keeping pace with technological change. We hope you'll join us in celebrating a group of filmmakers who represent both the present and the future of cinema, the daring artists whose work pushes the envelope and is, fascinatingly, never what you'd expect. Read More