In this shrewd and visually accomplished social satire from Turkish filmmaker Mehmet Can Mertoglu, a taxman named Bahar (Şebnem Bozoklu) and his history teacher wife, Cüneyt (Murat Kiliç), adopt a child, only to find they feel no emotional connection to the kid. Further complicating their own situation, the self-involved couple initiates an elaborate ruse, with the assistance of contemporary social media, to alter the facts about how they came to have a family. Stunningly photographed on 35mm by Marius Panduru (DP of Romanian New Wave cornerstone Police, Adjective), Mertoglu’s debut feature uses biting black humor to lampoon present-day Turkish society, capturing in equal measure the absurdity of reality and the reality of the absurd.